Wednesday, 8 May 2013
A Food Truck Wedding
I LOVE the idea of food trucks at a wedding. I am hoping Australian brides will follow the American trend and include them at their outdoor wedding receptions. Either in addition or to replace the traditional sit down meal, food trucks bring that touch of quirkiness and will keep your guests fed and entertained long after dessert is served. Midnight taco anyone??
IMAGE CREDITS: Carpe Donut Van, via Snippet and Ink, Miho Gastotruck, via Green Wedding Shoes, Curbside Gourmet, via Ten Lines Pica, The adorable Sydney based Sweet Jane's Travelling Teahouse, O Street Food Truck.
Wednesday, 1 May 2013
Be sure to wear some flowers in your hair...
Is there anything more romantic and dreamy than flowers in your hair? Whimsical, ethereal and will make you feel like you just floated out of a Disney story with Bambi and Thumper as your new best friends. No longer just for the flower girls, many brides are opting for big floral crowns rather than traditional veils or headpieces. Indie Chic at it's floral finest.
Labels:
Boho Bride,
Floral Crown,
Indie Chic,
Weddinsday
Wednesday, 24 April 2013
Get back to nature
Made popular by eco warriors and fashionable hipsters everywhere, items made from reclaimed timber are huge in the fashion and interior design world right now. But the raw beauty of timber can easily be incorporated into different aspects of your wedding day too, from wood veneer invitations to these quirky wooden bow ties that I am simply in awe of.
IMAGE CREDITS: Menu, via Green Wedding Shoes, We-Wood Watch, Invitation, via Oh So Beautiful Paper, Books, via Etsy, Wooden Bow Tie, Ring, via Etsy, Table Setting, via Tradesy, Cake, via Cake Chooser, Letterpress Invitations, via Laura Dapito, Laser Cut Invitations, via Oh So Beautiful Paper.
Monday, 22 April 2013
A healthy press is a happy press
I am by no means a 'my body is a temple' type, but I do like to keep my life relatively clear of harsh chemicals and products that contain a long list of ingredients that I can't even pronounce. Last year I stumbled across a website called Good Guide (I highly recommend a visit, but only if you are prepared to say goodbye to half your cosmetics) This has sparked my interest in clean living and I have since started using more natural products on my body and around the house.
When I acquired the press, I was concerned about the chemicals and solvents I would need to keep it clean and in optimum operating condition. Especially as one of the presses is inside, I didn't want to expose my husband or myself to damaging solvents with lingering toxic vapours.
Inks are thick. No amount of lemon juice will keep my ink plate and ink rollers sparkling and every printer I know uses either mineral turpentine or kerosene. Flammable and toxic. Nice.
After much research I have come up with my essential Non-Toxic Press Cleaning Kit:
Vegetable Oil
Baby Oil
Baby Wipes
Vinegar
First I run the machine with a few pieces of scrap paper on the ink plate to remove excess ink. Then with the rollers on the ink plate, drizzle a little bit of vegetable oil and run again a few times. This loosens up the ink and makes cleaning it off with scrunched up newspaper a breeze. It can get very messy so have some fresh newspaper or a cloth at the ready to catch the oily drips. Repeat a few times until most of the ink is gone.
Baby wipes will become your best friend. They are always handy to have nearby before those random ink spots, which always mysteriously appear on your hands, find their way onto your freshly pressed cards. You will use quite a few of these to remove the last little bits of colour from the rollers and ink plate.
The last step is to run some baby oil on a cloth over your clean ink plate and rollers. I find this takes away any excess greasiness from the vegetable oil and acts as a nice conditioner for your rollers. It also leaves your studio smelling lovely. If I need to use the press straight away for another colour, I rub a mix of water and vinegar on the rollers to cut through the oil and they are ready to go again.
Non toxic, chemical free and leaves the room smelling like a baby's nursery.
Kxx
Wednesday, 17 April 2013
Weddinsday
Today begins the start of a weekly blog series I like to call Wedding Wednesday or 'Weddinsday'. It will be a little collection board of current trends, colours and designs that I have noticed to be gaining momentum in the wedding world.
I thought it would be appropriate to kick off Weddinsday with the Pantone 2013 Colour of the Year, Emerald.
Emerald is simply a gorgeous colour. Vibrant, rich and, as it was named after a precious gem, it immediately conveys feelings of opulence and grandeur. I love seeing this colour combined with an otherwise simple black and white theme - very art deco. And how amazing is this sequined beauty of a dress? The couple look like they have just stepped out from the pages of The Great Gatsby. Stunning.
I thought it would be appropriate to kick off Weddinsday with the Pantone 2013 Colour of the Year, Emerald.
IMAGE CREDITS: Jenny Packham Dress, Courtesy of 100 Layer Cake. Invitation, courtesy of Minted. Sweet Sensations Cake. Books via Etsy. Emerald Bridal Party, courtesy of Polka Dot Bride. Macarons, via Pinterest. Pendant via Etsy. Rakuten Wedding Band. Letterpress Card via Etsy. Steve Madden Shoes.
Labels:
Art Deco,
Collection,
Emerald,
Mood Board,
Pantone 2013
Sunday, 24 March 2013
Moving Day!!
I was an excited bundle of nerves during the very early morning drive to Montmorency to finally pick up my new presses. Bill was already there setting up his truck and we didn't have to do much but watch him in action. He was amazing. He knew exactly what to do and put which ropes where and I couldn't have been happier with how the move went. I must admit, seeing the presses in the air does fill you with a sense of dread and I was holding my breath until they made it safely on the truck bed. But made it safely they did and it took less than an hour to put two very heavy presses on the back of one truck.
Getting the presses off the truck at the other end was another matter... I always knew it was going to be tough and I was probably in fantasy land thinking the Samson would just glide into our spare room.
I live in a semi-detached terrace, the ones that look tiny on the outside, but the hallway goes for miles. Bill looked at the press. He looked at the doorway. He looked at me and clearly thought I was crazy. Off came the flywheel. Bolts that hadn't been touched in centuries, were taken out and dropped on the lawn to make way for the crankshaft removal. The press was then lifted over our picket fence and extended partway down the hallway. Having a massive crane arm going through your front door is somewhat unnerving. Having a 700lb press dangling over your landlords' hardwood floors is downright scary.
But Bill managed it and it is now sitting very prettily in the work in progress we call a studio. The crankshaft and flywheel went on as easily as they came off.
The C&P was waiting patiently on the truck until her turn came to come down. As the C&P is approx 1500lbs, she has to stay outside.
So now I have 2 vintage presses sharing my little house. I spent most of the day preparing the C&P for the cold. As she hasn't been used in a long time, she was crying out for oil and she was quite rusty due to her outside living conditions. I scoured off the worst of it using a lemon and vinegar solution and WD40'd every available surface area. I didn't want to remove too much built up grime as this will only protect her during the wet/dry/hot/cold weather than can change hourly here in Melbourne. Not ideal, but she is currently under a tarp at the moment until the hubby makes good on his promise to build a room around her.
The Samson is in good condition, but quite a bit of grime. Dusty sheds and oily parts make for some pretty interesting fluff bunnies. This will be removed in stages as I think I have inhaled enough WD40 to last me a lifetime today.
Along with the press, I was given a whole heap of type, furniture and quoins. It never ceases to amaze me at how small the letters can go. It will take me a month of Sunday's to go through all that type!
I tested the Samson with some coasterboard I had lying around and a make ready that was already in the chase. I must say, wow! The impression (no ink yet) is really deep and lovely. Can't wait to try it with ink and some gorgeous lettra once we clean her up.
Kxx
Getting the presses off the truck at the other end was another matter... I always knew it was going to be tough and I was probably in fantasy land thinking the Samson would just glide into our spare room.
I live in a semi-detached terrace, the ones that look tiny on the outside, but the hallway goes for miles. Bill looked at the press. He looked at the doorway. He looked at me and clearly thought I was crazy. Off came the flywheel. Bolts that hadn't been touched in centuries, were taken out and dropped on the lawn to make way for the crankshaft removal. The press was then lifted over our picket fence and extended partway down the hallway. Having a massive crane arm going through your front door is somewhat unnerving. Having a 700lb press dangling over your landlords' hardwood floors is downright scary.But Bill managed it and it is now sitting very prettily in the work in progress we call a studio. The crankshaft and flywheel went on as easily as they came off.
The C&P was waiting patiently on the truck until her turn came to come down. As the C&P is approx 1500lbs, she has to stay outside.
So now I have 2 vintage presses sharing my little house. I spent most of the day preparing the C&P for the cold. As she hasn't been used in a long time, she was crying out for oil and she was quite rusty due to her outside living conditions. I scoured off the worst of it using a lemon and vinegar solution and WD40'd every available surface area. I didn't want to remove too much built up grime as this will only protect her during the wet/dry/hot/cold weather than can change hourly here in Melbourne. Not ideal, but she is currently under a tarp at the moment until the hubby makes good on his promise to build a room around her.
The Samson is in good condition, but quite a bit of grime. Dusty sheds and oily parts make for some pretty interesting fluff bunnies. This will be removed in stages as I think I have inhaled enough WD40 to last me a lifetime today.
Along with the press, I was given a whole heap of type, furniture and quoins. It never ceases to amaze me at how small the letters can go. It will take me a month of Sunday's to go through all that type!
I tested the Samson with some coasterboard I had lying around and a make ready that was already in the chase. I must say, wow! The impression (no ink yet) is really deep and lovely. Can't wait to try it with ink and some gorgeous lettra once we clean her up.
Kxx
Thursday, 21 March 2013
Waiting.... waiting... waiting...
The hardest thing about buying an antique printing press (after having actually found one, that is) is the art of moving of it. They are pretty tough machines, but really, after being around for centuries do you really want to be the one who destroys it by dropping it off the side of a trailer? There are only a handful of professionals who are able to move these giant monoliths of machinery. And they are expensive, often abrupt and grumpy old men that don't quite appreciate your enthusiastic calls of 'Hi, remember me? You didn't call me back' I am still waiting on one guy to call me back in 5 minutes. That was two and a half weeks ago!
So I managed to secure a guy this weekend. For an early pick up on Sunday. I am keeping everything crossed that this actually happens and he turns up when he is meant to.
Two presses to move, one going in the carport the other going in our spare room. I am hoping the flywheel is relatively easy to remove of the samson so it can fit through the door. If not, I will have to rethink my whole setup
As I purchased these presses over a month ago, I would like to have them and start working on bringing the C&P up to scratch and familiarising myself with how they work without losing a finger. I am still waiting on my ink, paper and plates from the US and about to put in an order for more paper. So much paper. I just feel like I am floundering at the moment. Not really going forward, not going back exactly. Just in printing limbo land. Waiting. And getting more impatient by the second.
In the meantime I have purchased a guillotine. An Ideal 3905 manual guillotine that I got off eBay. They are a great brand and have nothing but praise written about them. I would have loved an electric guillotine, rather than the push down lever, but unfortunately I don't have a spare 2.5K to spend. But at least this way I can give up my gym membership and still get amazing Madonna arms!
I am picking the guillo up on Saturday and will put it to good use right away as I want to tackle edge painting this weekend.
So many different methods are out there and there is a bit of a secret printers business surrounding the actual method. From what I have researched and managed to get out of people, a spray method is the best. First step is crisp, even cut stacks of paper. Enter the Guillotine.
Kxx
So I managed to secure a guy this weekend. For an early pick up on Sunday. I am keeping everything crossed that this actually happens and he turns up when he is meant to.
Two presses to move, one going in the carport the other going in our spare room. I am hoping the flywheel is relatively easy to remove of the samson so it can fit through the door. If not, I will have to rethink my whole setup
As I purchased these presses over a month ago, I would like to have them and start working on bringing the C&P up to scratch and familiarising myself with how they work without losing a finger. I am still waiting on my ink, paper and plates from the US and about to put in an order for more paper. So much paper. I just feel like I am floundering at the moment. Not really going forward, not going back exactly. Just in printing limbo land. Waiting. And getting more impatient by the second.
In the meantime I have purchased a guillotine. An Ideal 3905 manual guillotine that I got off eBay. They are a great brand and have nothing but praise written about them. I would have loved an electric guillotine, rather than the push down lever, but unfortunately I don't have a spare 2.5K to spend. But at least this way I can give up my gym membership and still get amazing Madonna arms!
I am picking the guillo up on Saturday and will put it to good use right away as I want to tackle edge painting this weekend.
So many different methods are out there and there is a bit of a secret printers business surrounding the actual method. From what I have researched and managed to get out of people, a spray method is the best. First step is crisp, even cut stacks of paper. Enter the Guillotine.
Kxx
Subscribe to:
Posts (Atom)





